GothBoiClique’s most underappreciated rapper, Døves, shows why he deserves more spotlight in his newest EP, Glass.
NOVA is RL Grime’s second studio album, and it has been highly anticipated for years considering his last album was released in 2014.
"Stay Late" is surf-flavored indie rock that has things to look forward to, but not much to be excited about.
Car Seat Headrest’s "Twin Fantasy" brings new life into the classic album.
Black Panther: The Album is exactly what was needed this February.
When the 2018 Grammy nominations came out and I saw that Nothing More had three nominations, I thought perhaps I should give a full dive into the album and see if there was anything I was missing. And, oh my God, I was missing a lot.
George Best was, and still is, the best album to come out of the C86 scene and all its Smiths worship. But that’s still all it is, Smiths worship, or at least an attempt to catch the scene which the Smiths inspired.
Second only to this Post-Modern Analysis of Waluigi being the logical end-game of capitalism, the manic ramblings of musician John Maus are perhaps the strangest reads I’ve found online.
Without a doubt, The Lie Within Callie's debut EP proves that frontwoman and primary songwriter Callie Wilson is no stranger to dulcet tones, rich songwriting, and (if the lyrics are any indication) young adult love in all its beauty and ugliness.
Infinite Worlds is quite the fitting name for Laetitia Tamko’s debut album as Vagabon. It’s filled with many little wonders for the listener to discover, as Tamko uses her songwriting talents to carve out her own landscape in the world of indie rock.
“How did I get here?/ Am I ever gonna get back?” asks Conor O’Brien, subtly addressing just how much he has risked—emotionally and professionally— with his new album, Darling Arithmetic, a significant and brave move for the artist to have made. What do you think?